Seattle: Empathy Press, 2001. 4 vols. 54; 50; 50; 50pp. Saddle-stapled in illustrated wraps. All near fine to fine, with mild rubbing and corner wear. A complete run of this four-part work of anonymous crossdressing fiction exploring themes of forced feminization and S&M. Parts 3 and 4 each with several unattributed illustrations. Issued as Nos….
NY: Anthology Film Archives, 1997. 72pp.; index. 4to; saddle-stapled in illustrated card wraps. Very good or better, with bump to top corner. An authoritative guide to the cinema of visual artist and experimental filmmaker Ed Emshwiller (1925-1990). Includes a filmography, interviews, a dozen essays (including by Samuel R. Delany and Jonas Mekas), a bibliography of…
[Billings, MT]: Sirqworks, [circa 1980]. [12] leaves, photocopied to rectos only; illus. Side-stapled gathered sheets with self-wrappers. Very good or better, with mild toning. A selection of reproduced newspaper photographs, most from the 1950s and 60s, featuring art-related subjects (Pablo Picasso, Enzo Sardello, Betsy the Chimp) and original captions. The selection highlights the often unintentional…
Lisbon: S. N. I., 1948. 8vo. Saddle-stapled in printed wraps. 29pp.; illus. Leaves rather toned, else about fine. Text in Portuguese. Pamphlet published to coincide with the 1948 inauguration of the Museu de Arte Popular in Lisbon, Portugal. The text provides an overview of the contents and layout of the museum s five rooms, each…
Los Angeles: Liberation Publications, 1986. 114pp; b&w and color illus. 4to. Saddle-stapled in photo-illustrated wraps. Very good or better, with short splits at spine ends, and a short tear to upper rear corner. A scarce and desirable issue of this long-running LGBTQ magazine, notable for containing a six-page profile of artist Keith Haring (1958-1990), with…
Buena Park: CA: Trans-American Imports, 1973. Catalog for 73 : [8] leaves, printed rectos only; photo-illustrated. California Gift Show Special : [2] leaves, printed rectos only. Near fine, with mild oxidation to staples. In original manilla mailing envelope, very good, with return envelope. Illustrated advertising and order-form packet for this hippie-era California clothing store, which…
[Washington, D.C.]: Bureau of Narcotics & Dangerous Drugs, [1972]. Octavo. 47pp. Saddle-stapled in printed green wraps. A very good (+) copy with light wear at tips and along spine hinge, a few minor spots of soiling. “This book was conceived as a document which would present the Bureau of Narcotics and Dangerous Drugs’ view of…
Milan: Galleria Borromini Edizioni, 1948. [24]pp; b&w illus. Saddle-stapled in printed self-wraps, 4-3 4 x 3-1 4 in. Diminutive catalog for a solo show of Munari s work at the Galleria Borromini in Milan, at which he exhibited the Macchine Inutili and Concavo-Convesso sculptural works. An introductory note from the gallery is followed by a…
NY: Masjid Al-Farah, 1985. 8vo. Saddle-stapled in pictorial wraps. 70pp. Very good or better, with irregular toning to wraps. Translated by Muhtar Holland. A selection of colorful short stories and parables drawn from three of the principal works by Turkish Muslim spiritual leader Muzaffer Ozak (1916-1985), here credited under the honorific title Shaikh Muzaffer Efendi….
A group of three 8×10 photographs of a Philadelpia Halloween Parade circa 1970s, all of which feature a youth in a Snoopy costume with Red Baron biplane. Photos numbered to recto, but with no additional information; location established by the presence of the General John Fulton Reynolds statue in background of one photo. Very good…
NY: Paul Morris Gallery, 1999. Single card sheet, 4-1 2 x 4-1 2 in., printed recto only. Very good, with edges a little grubby and light splash-stains to bottom right corner. Invitation card for this group show at New York s Paul Morris Gallery, which ran from January 23 – March 6, 1999 and featured…
San Francisco: Times Up, 1982. [7] leaves, printed rectos only, and bound with staple at top-left corner, 11 x 8-1 2 in. Moderate toning and wear, with a few short edge tears, some creasing to bottom fore-corner. Good to very good. A somewhat mysterious newsletter billing its purpose as to assist musicians and other people…
200 Anos reflects Vista Alegre’s constant capacity for renewal, recreating a memory that is as much based on centenary know-how as it is on a dynamic vision of modernity. Combining various aesthetic elements from different eras in the brand’s history, this collection plays with corrugations and fluting, inspired by pieces from different eras in Vista…
200 Anos reflects Vista Alegre’s constant capacity for renewal, recreating a memory that is as much based on centenary know-how as it is on a dynamic vision of modernity. Combining various aesthetic elements from different eras in the brand’s history, this collection plays with corrugations and fluting, inspired by pieces from different eras in Vista…
200 Anos reflects Vista Alegre’s constant capacity for renewal, recreating a memory that is as much based on centenary know-how as it is on a dynamic vision of modernity. Combining various aesthetic elements from different eras in the brand’s history, this collection plays with corrugations and fluting, inspired by pieces from different eras in Vista…